摘要
沙地灶头画是江苏南通启海地区农家灶头上独有的民间文化风景,它将民间壁画艺术与启海沙地百姓的生活、风俗、信仰结合在一起,具有浓郁的江海地方特色,其色彩简洁、清新秀丽的风格,有别于江浙地区其他地方的灶花,具有很强的装饰作用。2015年11月,南通沙地灶头画被列入第四批江苏省非物质文化遗产名录,因此有必要对沙地灶头画的艺术特征作深入研究,并进一步阐释其积淀深厚的江海民俗意蕴。
The paintings on the clay stoves in Shadi area, which combine folk arts with local people’s life, custom and belief,are unique folk culture in Qidong and Haimen counties of Nantong in Jiangsu province. With strong local characteristics and decorative function, the paintings are brief in coloring and elegance in style which are different from the paintings of other areas in Jiangsu and Zhejiang provinces. In September of 2015,the paintings on the clay stoves in Shadi area was listed in the fourth Jiangsu intangible cultural heritage. Therefore,the research on the artistic characteristics of paintings on the clay stoves in Shadi area is a necessity to further interpret the profound coastal folk implication.
出处
《淮海工学院学报（人文社会科学版）》
2017年第1期69-71,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
关键词
沙地灶头画
艺术特征
民俗意蕴
paintings on the clay stoves in Shadi area
artistic ch aracterist ics
folk implication
