摘要
本文分析、考察了夏目漱石的小说《道草》的"契约"性质,时代背景及其作者的国家观念,阐明了《道草》的"契约"性质与其中"李鸿章的书"的关联性;"李鸿章的书"在《道草》里不是一个单纯的书法概念,而暗指"李鸿章"的条约书反映着作者一贯的国家观念,其意义在于唤起一种国家道义伦理。研究表明,《道草》不单是作者个人的传记,也是其家族的盛衰记,它体现了作者对人性的认识和生存的理解,主题在于时代。
The paper analyzes and investigates the property of ＂contract,＂ its background and the concept of nation in Michikusa, written by Natsume SSseki. This illustrates the relationship between ＂contract＂ in Michikusa and ＂Li Hongzhang＇ s calligraphy.＂ The paper concludes that ＂Li Hongzhang＇ s calligraphy＂ in Michikusa is not a pure writing concept, but implies Li Hongzhang＇ s ＂treaty calligraphy,＂ which reflects the writer＇ s consistent concept of nation, for the sake of arousing national moral and justice principles. Previous studies indicated that Michikusa is not only the biography of the author himself, but also the diary of his family, expressing the writer＇ s recognition of humanity and understanding of survival. Its main theme reflects the age in which it was written.
出处
《日语学习与研究》
CSSCI
2017年第1期101-111,共11页
Journal of Japanese Language Study and Research
关键词
夏目漱石
道草
契约伦理
李鸿章
道义
Natsume Soseki
Michikusa
contract moral principles
Li Hongzhang＇s calligraphy
morality and justice
