摘要
唐代文人禅诗对《金刚经》的接受,既有表层的,如在禅诗中直接吟咏"金刚";又有深层的,如对《金刚经》空幻、无住思想的书写,显示出独特的金刚审美特色,呈现出悟的审美境界和无功利、非目的性的审美生存方式,增强了唐诗的艺术感染力,提升了唐诗的境界,成为唐代诗歌史上绚烂瑰丽的美妙篇章。
The acceptance Diamond Sutra in Buddhist poems by the scholars of the Tang dynasty can bediscerned superficially （such as those Buddhist poems in which ＂Jingang＂ is chanted directly） and connotatively （with the writings about the illusions and non-residential minds of Diamond Sutra）. TheseBuddhist poems exhibit the aesthetic features of Jingang, non-utility and non-purpose aesthetic living style, increase the artistic appeals of the Tang poems, enhance the artistic conception the Tang poems, and become the wonderful parts of Tang poems.
出处
《文学与文化》
2016年第4期98-106,共9页
Literature and Culture Studies
关键词
唐代文人禅诗
金刚经
接受
Buddhist Poetry By Scholars in the Tang Dynasty
Diamond Sutra
Acceptance
