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论康宁版画的艺术审美

On the Artistic Aesthetic of Kangning's Woodcut Print
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摘要 版画是一种绘画形式,也是美术创作中的一个重要门类,而黑白木刻又是版画艺术中较为传统的一种创作形式。无论在东方还是西方,木刻版画都发展得比较成熟。各种刀法交相辉映刻于木板之上,形成了独特的视觉效果,上百年来吸引着世界各国的艺术家投入创作。康宁是中国当代颇负盛名的版画艺术家,他的版画作品独树一帜,打破陈规,刀法精湛,线条完美,是传统黑白木刻的继承者更是当代版画的开拓者。 Print, as a kind of painting form, is an important branch of art in the world. In the field ofprint, the black-white woodcut print is a traditional creation form. No matter in the east or the west, the development of woodcut tends to be mature. Various ways of cutting can be reflected on the wood, which forms a kind of special visual image; therefore, the artists from all over the world are willing todevote themselves to the creation of woodcut print. Kangning, as a famous print artist at that time in China, creates his woodcut print with the unconventional style, proficient cutting and beautiful line. Therefore, to some extent it can be said that Kangning is the not only the inheritor but also the pioneer of contemporary black-white woodcut print.
作者 冯果
出处 《黔南民族师范学院学报》 2016年第6期89-91,共3页 Journal of Qiannan Normal University for Nationalities
关键词 版画 黑白木刻 刀法 线条 woodcut print black-white woodcut cutting way line
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