摘要
晚清民国时期,新音乐与新文学运动推动了唱词的发展。从陈厚庵所编《宋词新歌集》中,可一窥近代音乐家贯通"东方风趣"与"西洋规律"的实践。与学堂乐歌多以启发民智、促进教育为目的不同,唐宋词"新声"受到西方艺术歌曲及浪漫主义思潮影响,强调音乐艺术的纯粹性,推动了近代乐歌由学堂乐歌向艺术歌曲、即由"俗乐"向"雅乐"的转变和分化。
In the late Qing Dynasty, New music and New Literature Movement promoted the development ol singing the songs with ci of the Tang and Song Dynasties. The New Songs of Ci of the Song Dynasty which compiled by Chen Hou-an, gives us a glimpse ol the practice ol modern musicians on how to harmoniously blend the oriental wit with western laws ol music, which is different from the school songs to inspire wisdom and promote education. The new songs ol the Tang and Song Dynasties influenced by Western art songs and romanticism, emphasized on pure music art, and promoted the transition of modern songs from the school songs to the art songs, and the transition from vulgarity to elegance.
出处
《广东第二师范学院学报》
2017年第1期47-52,共6页
Journal of Guangdong University of Education
基金
国家社科基金项目:<晚清士文化与词学蜕变>(14BZW078)
广东省社科规划项目:<岭南近代乐歌研究--以歌词理论创作为中心>(GD14CZW07)
关键词
学堂乐歌
艺术歌曲
唐宋词新声
陈厚庵
《宋词新歌集》
school songs
art songs
new songs of ci of the Tang and Song Dynasties
Chen Hou-an
The New Songs of Ci of the Song Dynasty
