摘要
夏庭芝的《青楼集》记载了元代文人与歌妓的大量交往事迹,为探讨元代文人与歌妓的交流互动提供了丰富的素材。由《青楼集》可知,在元代,无论名公显宦还是浪子文人,都与歌妓形成了良好的互动关系。这种互动关系既带动了元曲多样化艺术风貌的形成,又促进了歌妓表演艺术与文学修养的精进,对元曲的繁荣具有重要的推动意义。与此同时,《青楼集》独特的书写姿态,折射了以夏庭芝为代表的元代文人在思想观念、审美趣味和文化修养等方面的新转向,呈示出元曲在元代文人文化活动中的重要地位。
Qing Lou J i, a biography written by Xia Tingzhi, recorded a large amount of affairs between singsong girls and literati in Yuan Dynasty, which provided primary sources to explore the interrelationship between singsong girls and literati of different social classes. According to Qing Lou J i, singsong girls established and maintained an active interaction with both upper class and lower class literati. This interaction not only improved the literary accomplishment of the singsong girls, but more importantly promoted the prosperity of Qu. Therefore, the aesthetic trends and the significant status of Qu in literati’s daily cultural activities can be better understood by studying the interrelationship between singsong girls and literati of different social classes during Yuan period.
出处
《北京社会科学》
CSSCI
北大核心
2017年第2期40-53,共14页
Social Sciences of Beijing
关键词
《青楼集》
元曲
歌妓
元代文人
Qing Lou J i
Qu
singsong girls
literati of Yuan period
