摘要
回顾历史语境下的中国文艺理论,涉及中国文艺理论建构对古代传统理论资源的继承与延伸,也包含接纳西方理论资源时的本土立场和表述方式,还关乎对新中国建立之后的"新时期"文艺的勾勒与定位,更揭示了当代文艺理论、当代美学逐渐丧失其社会实践性的紧迫状态。建构当代中国文艺理论话语体系的可行路径,涉及理论转场、文艺理论的学科交叉以及新媒介文艺的理论探索等内容。在当前的时代语境下,建构中国特色的文艺理论及其话语体系,需要以马克思主义文艺理论为指导;需要我们合理对待中学与西学的关系、踏实中国立场;需要自觉地对古今中外的场外理论进行理论转场,使之本土化、当下化,富有时代性及社会实践性。
The review of Chinese literary theory is development of traditional theory, the acceptance locating of ＂new period＂ literature. On the other closely correlated with the inheritance and of western theory, and the sketching and hand, it reveals the urgent situation that contemporary literary theories and contemporary aesthetics are losing social practicality. Theory transition, interdisciplinary collaboration and theoretical explorations by new media all contribute to a burgeoning discourse system of contemporary Chinese literary theory. Under current circumstances, the construction of this discourse system demands the guidance of Marxism literary thought and the rational treatment of Chinese and Western learnings. Meanwhile, it requires our firm adherence to the Chinese perspective and our conscious transition of theories both ancient and modern, Chinese and foreign, so as to make them native, present and practical.
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2017年第1期84-88,共5页
Journal of Graduate School of Chinese Academy of Social Sciences
关键词
本土立场
社会实践性
理论转场
跨学科
native perspective
social practicality
theory transition
interdisciplinary collaboration
