摘要
中国现代美学体系是以"美的本质"问题为理论基点,以"美"与"美感"问题为两大基本向度而展开的现代知识学建构。范寿康对"美"的审美心理学讨论,吕澂对"美"的审美价值学讨论,徐庆誉对"美"的知识社会学讨论,以及戴岳、陈望道对"美感"问题的现象学、分析美学讨论,蔡仪对"美"与"美感"的科学主义讨论等,分别从审美对象与审美主体两个方面,为中国现代美学知识体系的建构奠定了根基,成为中国当代美学体系话语言说的原点。
Chinese modem aesthetic system is an achievement of modem knowledge development, which is based on the studies of ＂ essence of beauty＂. There are different kinds of research perspectives to ＂ what is beauty＂, such as ontological argument by Fan Shoukang, axiological debate by Lu Cheng and Edinburgh school viewpoint by Xu Qingyu. Meanwhile, other scholars focus on ＂what is aesthetic sensibility＂, such as Chen Wangdao, Xu Dachun, Dai Yue, whose discussion are ontological viewpoint, and Cai Yi, who analysis both of the essence of beauty and beauty sensibility from scientific perspective. The aforementioned subjective and objective studies built a cornerstone for the construction of Chinese modem aesthetic knowledge system and Chinese contemporary aesthetic language.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2017年第1期11-19,共9页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
陕西省教育厅项目"存活在中国现代美学体系中的古典美学范畴研究"(12JK0403)阶段性成果
关键词
美的本质
中国现代美学体系
美
美感
知识建构
the essence of beauty
chinese modern aesthetic system
beauty
aesthetic sensibility
epistemology theories
