摘要
物质商品的符号化消费渗透到文化领域之后,在权力化与商业化共谋情况下,因消费者与文化拥有者在目标诉求、价值取向等方面的差异,造成了遗产的符号化存续,导致遗产主体的边缘化、遗产时空的错位化、遗产整体的碎片化和遗产传承的流水化等。文章以撒尼人《阿诗玛》遗产在文化旅游所呈现的符号形态和变异,反思遗产符号化对遗产本身所造成的影响,进而指出《阿诗玛》遗产存续应该以地方人群共同体为主导,以整体的文化体系为内容,以多样的文化形态为表征,以社会价值为诉求,实现其活态、原真存续。
With the symbolized consumption of the material commodity into culture and the con- spiracy of power and commercialization, the differences of consumers and cultural holders in demand and value orientation result in the symbolized continuation of the heritage, thus leading to the margin- alization of the cultural holders, the dislocation of the space and time, the fragmentation of entity, and the procedural inheritance. Based on the symbolic form and variation that the Sani＇ s ＂Ashima＂ has presented in the cultural tourism, this essay aims to reflect the impact of symbolized heritage on heritage itself, so as to point out that the continuation of ＂Ashima＂ should keep the living and authentic culture by taking the local people as the dominant force, their cultural system as the theme, the diversified culture as representation and the social value as demand.
作者
吴兴帜
巴胜超
唐婷婷
WU Xingzhi BA Shengchao TANG Tingting(l.School of Vocational ＆ Technical Educatio National Institute,Yunnan University of Nationalities, Kunming 650504,China Faculty of Art and Communication,Kunming University of Science and Techndogy,Kunming 650504,China)
出处
《广西师范学院学报（哲学社会科学版）》
2017年第1期59-64,共6页
Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition
基金
国家社科基金艺术学项目"文化旅游情境中阿诗玛传统文化的创新发展研究"(14CH138)
国家社科青年项目"民族艺术消费符号与文化传承研究"(15CSH035)
云南民族文化研究院项目"云南民族文化遗产消费边界研究"(2016Y12)
关键词
《阿诗玛》
符号
反思
存续
＂Ashima＂
symbol
reflection
continuation
