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双钢琴作品演奏中交响化演奏思维的应用——以拉威尔的《大圆舞曲》为例 被引量:2

On symphonic Thinking in Double Piano Works:A Case Study of Maurice Ravel's La Valse
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摘要 双钢琴是由两位或两位以上的演奏人员操纵两台钢琴同台演奏。双钢琴演奏形式特别,对演奏人员之间的协作能力要求非常高,声部细节方面的表现非常复杂,而其所包含的信息量庞大,声音异常复杂,声部的数量极多,非常注重表情细节,这些都是其他钢琴演奏形式无法相比的。以拉威尔的《大圆舞曲》为例,通过对双钢琴演奏中交响化演奏思维的应用进行了研究及分析,阐述双钢琴版本的交响化音响效果的特点、作曲家的创作意图以及演奏方式,从而在双钢琴演奏中使演奏者用交响化的思维进行配合,准确地诠释作品。 Double piano is played by two or more players playing two pianos on the same stage.Double piano is a special form of performance.The ability to collaborate between the performance requirements is very, challenging and the details of the performance of the sound are very complex.Besides, large amount of information is contained and the sound is very complex with many parts. Based on a case study of Ravel's great waltz, the author explores the double symphony in piano playing thinking and application of trying to expound the double piano version of the symphony sound effect, the intention of the creation of the composer and the characteristics of style, playing to make in the double piano performer with a symphony of thinking to cooperate, accurate interpretation of works.
作者 邢颖 XING Ying(Music College, Suzhou College, Suzhou, Anhui 2340)
出处 《怀化学院学报》 2016年第12期91-95,共5页 Journal of Huaihua University
关键词 双钢琴 大圆舞曲 交响化演奏思维 应用 double piano great waltz symphonic playing thinking apply
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