摘要
竹内栖凤是日本近代的美术名家,是"新日本画"的代表性人物。他的水墨风景,通过对西方写实绘画的研究,以亲近自然的视角,重新诠释东方水墨写意的精神,给予传统水墨以新的创格和延展的方向。立足于对新日本画特点的分析,通过对竹内栖凤不同阶段水墨作品的风格赏析,重点探讨了他在艺术探索的过程中,对东西方艺术精神的领悟和技法上的创造性融合,阐明了其艺术创格的特点与意义。
Takeuchi Seiho is a modern art master and representative of ＂New Japanese Paintings＂ in Japan. Combined with the study of western realistic paintings, his ink paintings give a new interpretation to oriental ink painting freehand brushwork from the point of getting close to nature, which also shows the new lattice and extension direction of traditional ink paintings. Based on the analysis of the characteristics of new Japanese paintings and study on the style of Takeuchi Seihs＇s ink paintings in different stages, this paper mainly discusses his understanding of eastern and western artistic spirit and creative fusion techniques in the process of his artistic ex- ploration, and brings out the characteristics and significance of his artistic lattice.
作者
周远宏
许悦
ZHOU Yuan-hong XU Yue(School of Arts and Design, Nanjing Institute of Technology, Nanjing 211167, China)
出处
《南京工程学院学报（社会科学版）》
2016年第4期32-35,共4页
Journal of Nanjing Institute of Technology：Social Science Edition
基金
江苏省教育厅高校哲学社会科学基金项目(2015SJB227)
南京工程学院科研基金项目(CKJB201315)
关键词
新日本画
竹内栖凤
借鉴西方
创格
new Japanese painting
Takeuchi Seihs
learning from the west
lattice
