摘要
清末、民国时期上海地区的私家绘画鉴藏是绘画鉴藏史上的又一高峰。这一时期的绘画鉴藏经历了这样的嬗变:从苏州鉴藏家的重"赏鉴"、重"文献考证"的单一模式到上海鉴藏家的重"辑录鉴定"、重"笔法图像"等多元方式的综合。鉴藏家身份的变化、鉴藏环境的变化是促成这一嬗变的原因。梳理和分析这一嬗变有利于重新审视当下学术界认为传统书画鉴定大多靠感性经验,或只讲对错、少言依据的观点。
In the Late Qing Dynasty and the period of the Republic of China, the private painting connorisseur reached another peak during the whole history. In this period, there were lots of changes which happened in paint- ing connorisseur ways： from Suzhou connorisseur focused on appreciation and textual to Shanghai connorisseur em- phasied on the intergration of multi ways like description, identification, brush strokes, images. These changes were caused by the changes of connorisseur identity and environment. The combing and analysis of the change helps us to re-examine some current opinions. Analysis of the changes helps to reconsider the present view that traditional painting appraisals mostly depend on perceptual experience and only care the result of right or wrong without basis.
出处
《镇江高专学报》
2017年第1期104-108,共5页
Journal of Zhenjiang College
基金
上海市教委科研创新项目(13YS104)
关键词
上海地区
绘画
鉴藏方式
嬗变
Shanghai area
painting
ways of connorisseur
change
