摘要
明代晚期中国插图的发展到达了一个高潮,图像作为信息载体的重要性迅速上升,比之文字具有更大的传播效应,在此之前图像只是作为文字的补充,插图作者的地位亦次于文字作者。本文从明代的刻书系统入手,对文学插图的发展及传播过程进行分析,发现图文背后的的社会诸面相,了解社会风尚,文化思潮,审美趣味。
In the late Ming Dynasty, the development of illustrations reached a peak in the history. The importance of image as an information dissemination carrier has increased rapidly, with its influence surpassing over words. Long before this, image is just a supplement to the text, and status of illustrators is much lower than that of authors. The thesis analyzes the development and spread of the narrative illustrations by studying the development of engraveing books in Ming Dynasty. By doing this, social customs, cultural ideological trend and aesthetic taste behind these illustrations are clearly revealed.
作者
周欣
ZHOU Xin(Beijing Institute of Fashion Technology, Beijing 100029, China)
关键词
明末
坊刻
文学插图
传播
late Ming
private publishing house
narrative illustrations
spread
