摘要
蒲松龄《聊斋志异》的创作借鉴多方,正是这种转益多师的创作态度令《聊斋志异》获得了文言小说创作高峰的位置。《左传》作为儒家十三经之一,相传是春秋末年鲁国史官左丘明根据鲁国国史《春秋》编成,其史学地位毋庸置疑,其文学成就也辉映千秋,特别是其叙事艺术的炉火纯青,更为历代文人所推崇。《聊斋志异》有关叙事技巧与《左传》的渊源关系,前人已有论述,这里不再加以探讨;《聊斋志异》对于《左传》词语的一般性借鉴,对于《左传》字词用法或相关句式的借鉴,《聊斋志异》词语释义校勘与《左传》的关系问题则是本文讨论的重点。
The Liao Zhai of Pu Song-ling made profit of several kinds of references,which made itself the most successful novel in classical language. Zuo Zhuan,one the thirteen canons of the confucianism,compiled according the Chun Qiu by Zuo Qiu-ming,the historian of State Lu,was not only an important historian work,but also a first-rate literary work which had always been highly praised by the literiti. For example,the Liao Zhai learned the methods of narritation in Zuo Zhuan. This article tries to discuss three kinds of references of the Liao Zhai to the Zuo Zhuan：1,the words in gereral;2,the use of words or phrases;3,the annotations. The last kind of reference will be highlighted in this article.
出处
《蒲松龄研究》
2016年第4期5-19,共15页
Study on Pu Songling
关键词
蒲松龄
聊斋志异
左传
借鉴
校注
Pu Song-ling
Liao Zhai
Zuo Zhuan
Reference
Annotation
