摘要
明代宫廷音乐根据应用场合可分为祭祀乐、朝贺乐和宴享乐,这些音乐依附于繁杂的宫廷仪式,属于礼仪的一部分,它们的制作、规模与更定是考察明代宫廷音乐体制的重要因素。明代宫廷音乐较之历代宫廷音乐又体现出一些特点,包括道教音乐对祭祀乐的影响和民间俗乐对朝贺、宴享乐的影响。另外,雅乐制作中的种种困难,音律考定的一波三折,充分体现出随着时代的发展,陈旧、僵化的艺术形式终将被新颖、鲜活的艺术形式所取代这一结论。
According to applications, the Court music of Ming dynasty can be divided into the ritual music, ChaoHe music and YanXiang music, the music attached to the court of multifarious ceremonies, were part of the etiquette, their production, the scale and change is the important factor of research in the Court music system. The Court music of ming dynasty reflects some characteristics, including the influence from Taoist music and folk music. In addition,as the difficulties in making the court music,and the study of temperament, we can make a conclusion that old art will eventually be replaced by new art ,with the development of the times.
出处
《保定学院学报》
2017年第1期68-74,共7页
Journal of Baoding University
关键词
明代宫廷音乐
祭祀乐
朝贺乐
宴享乐
Court music of Ming Dynasty
Sacrifice music
Chaohe music
Yanxiang music
