摘要
"弦索"一词最早见于唐代,历宋、元、明、清各代,其释义不断变化,由原本乐器、乐种用语,一变为戏曲、曲艺用语,再变为清代宫廷音乐机构的指称。然而,在以往的研究中尚缺乏对"弦索"释义较为全面、深入的分析,尤其对宋代文献中的"弦索"关注较少。然而,宋代恰是"弦索"语词广泛使用的时期,释义十分丰富,不仅指某一乐器的弦,还指有弦乐器参与的小型器乐合奏,并开始进入曲唱,在释义上显现出上承盛唐、下启金元的性质。
The term'xiansuo'was first mentioned in the Tang Dynasty. Its meaning constantly changed in the Dynasties of Song, Yuan, Ming and Qing. Originally it referred to instruments or musical genres, later it meant local operas, quyi or court musical establishments in the Qing Dynasty. But the comprehensive and thorough analysis for its research was rarely done, especially in the literature study of the Song Dynasty when this term was extensively used and possessed rich meanings. In that period, it not only referred to the instrument strings but also meant small instrumental ensembles in which the strings were involved. As for definition, it connected from the prosperous Tang Dynasty to the natures of the Jin and Yuan Dynasties.
出处
《乐府新声（沈阳音乐学院学报）》
2016年第4期13-18,共6页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
国家社科基金艺术学重点项目<中国传统音乐声腔研究>(14AD004)
北京市博士后工作经费资助项目<中国北方弦索声腔研究>(2016-ZZ-90)阶段性成果
关键词
宋诗
宋词
弦索
曲唱
the Song poetry
the Song iambic verse
quchang
