摘要
当绘画媒介达到其物性的临界点(变成一块空白画布的时候),人人都认为绘画已经走进了死胡同,但谁能预见当代的艺术家们又将物性(而不再是媒介性)当作了艺术表达的手段?这大概就是艺术边界及其突破的故事中最成功的案例。
Everybody would think that art had come to its dead end, when the painting medium went to its critical point, i. e. , when it became a pure blank canvas. But who would anticipate that contemporary artists could change the objecthood, i. e. , the canvas itself into a kind of artistic expression？ Maybe this was the most successful case in the story of artistic boundary and its breakthrough.
作者
沈语冰
Shen Yubing(Institute of Aesthetics and Critical Theory, Zhejiang University, Hangzhou 310058, China)
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第6期27-32,共6页
Journal of Peking University(Philosophy and Social Sciences)
关键词
艺术概念
艺术边界
格林伯格
迈克尔·弗雷德
德·迪弗
concept of art, artistic boundary, Clement Greenberg, Michael Fried, Thierry de Duve
