摘要
抗日战争时期,"中华全国文艺界抗敌协会"以高度的责任感和使命感,擎起了文化救亡的大旗,积极探索符合文化人士自身的方式,形成了常规化的舆论宣传动员模式和非常规化的战地实践动员模式,并产生了良好的效果,为持久抗战做出了重要贡献。其基于实践基础上的动员模式和助力抗战的特殊功效,全面展示出了中国文化在应对民族危机过程中的特质。
The All-China Anti-Japanese Association of Writers and Artists rapidly lifted up the banner of cultural salvation,actively explored ways to meet the characteristics of the cultural people and formed two main cultural mobilization patterns： conventional propaganda mobilization and unconventional battleground practice mobilization during the public opinion of cultural mobilization in the Anti-Japanese War. These efforts had produced good effect and made an important contribution to the Anti-Japanese War. Both mobilization patterns that were based on practices and powerful mobilization effects against Japanese,therefore,fully reflected the characteristics of Chinese culture during the purpose of coping with the severe national crisis.
作者
马小泉
尚方超
Ma Xiaoquan Shang Fangchao
出处
《中州学刊》
CSSCI
北大核心
2016年第11期137-142,共6页
Academic Journal of Zhongzhou
关键词
抗日战争
中华全国文艺界抗敌协会
文化动员
the Anti-Japanese War
the All-China Anti-Japanese Association of Writers and Artists
cultural mobilization
