摘要
曾永成先生一直在建构他的生态美学和生态文艺学的学术大厦,彰显出独特的学术品格。他早期的专著《文艺的绿色之思》,从人类生态学和美感的自然生成这个独特的视角,系统地论述了文艺的本色、生成与发展,提出了重要的"节律感应论"和"自然生成论"。晚年的曾先生转向了对西方怀特海、杜威以及中国传统文化生态智慧的关注,对中西方文化的生态智慧进行深度挖掘和阐发,先后撰写了相关的学术专著,发表了系列论文。通过阐释怀特海的审美经验论和生态哲学观,提出宇宙的原生之美,让我们对这世界的神秘与幽深永远怀有诗意与敬畏。
Professor Zeng Yongcheng highlights unique academic features in his works on ecological aesthetics and ecological literature and art. In his early work Green Thought on Literature and Art he discussed the nature, formation and development of literature and art and put forward 'sense of rhythm' theory and'natural generation' theory from the perspective of human ecology and the naturally generated sense of beauty. In his later years, he shifted his academic focus to the study of Alfred North Whitehead, Dewey and ecological wisdom in traditional Chinese culture. He turned his in-depth exploration of western and Chinese ecological wisdom into academic monographs and treatises. By interpreting Whitehead's theory of aesthetic experience and ecophilosophy, he proposed the original beauty of the universe which can help us to see the mystique and profundity of the world with a touch of poetry and awe.
出处
《鄱阳湖学刊》
2016年第6期28-31,共4页
Journal of Poyang Lake
