摘要
伊通秧歌是在满汉文化交融下所形成的一种集歌、乐、舞、杂耍、文学等多种体裁为一体的综合性表演艺术。从审美角度讲,伊通秧歌传达着以人为中心的动作之美、体态之美、舞队之美,这些审美特征又是建立于秧歌的诸多构成元素的基础之上的,譬如具有律动性的鼓点节奏,优美的唢呐曲牌,精美的舞蹈妆扮与道具等等。它的繁荣与发展凝聚着伊通人集体智慧结晶的成果。
The Yitong Yangko Dance was formed during the Manchu and Han of culture. It is a comprehensive set of music, dance, acrobatics, and other literary genre. From the aesthetic point of view, the Yangko Dance is to convey the beauty of body move- ments, the beauty of figure, and the beauty of dance team, which is built on many elements of the Yangko Dance foundation, such as rhythm of drums, beautiful suona tunes, dress up and dance exquisite props and so on. Its prosperity and development shows collective wisdom of the Yitong people.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2016年第11期152-154,159,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
伊通秧歌
源流
审美特征
Yitong Yangko Dance
origin
aesthetics
