摘要
在17世纪学院派出现之前,欧洲的建筑师和匠人主要从作坊里学本领,这种传统植根于中世纪。巴洛克文化处于中世纪的传统行会与现代建筑行业的过渡时期,它酝酿出繁盛的艺术和(手)工艺.包括绘画、雕塑、建筑、音乐和戏剧。贝尼尼和波洛米尼就是同侪中的佼佼者。其中,波洛米尼的(手)工艺是纯粹的建构化的,这体现在他对几何形体的娴熟运用上。他是一位擅长运用石头的大师.并且画得一手好图。文章呈现了波洛米尼创造的带有完美比例和韵律的建筑,以及扭转流动的时空。
Until the emergence of academies in17th-century Europe,architects and builders learned their craft mainly through apprenticeship with artists or master craftsmen,a traditional practice rooted in the Middle Ages.The culture of Baroque,a transitional era between medieval guild and modern profession,is characterized by the fusion of a great variety of arts and crafts- painting,sculpture,architecture,music and theatre,as exemplified in the genius of Gian Lorenzo Bernini.Together with Bernini,Francesco Borromini dictated the norms and gist of Italian Baroque architecture.But unlike his rival,Borromini＇s craft is purely architectonic,as revealed in his dexterous application of geometrical forms,careful treatment of materials,mastery of stonemasonry,and exquisite draftsmanship.His legacy outlived that of Bernini,exercising widespread and lasting influence across space and time.
出处
《时代建筑》
2016年第5期142-147,共6页
Time + Architecture
关键词
几何学
比例
切石术
建构化
Geometry
Proportion
Stereotomy
Architectonic
