摘要
The feminist movement in current China has always been attracting controversial arguments, especially in contemporary women＇s writing and cultural criticism. The re-awakening of feminist consciousness took place in the 1980s and produced many good writers and critics dedicated to the course of women＇s enlightenment. However, after the International women＇s Conference in 1990s, the feminist movement took a theoretical and radical turn under the influence of Western feminist theories and their deconslructivist discourses. The dislocated confrontations between the Chinese female consciousness and the Western post-modern culture, along with the abusive application of Western gender study theories, make most of Chinese critics difficult to adopt a tolerant attitude toward Chinese experience, and tend to be hegemonic towards critics emphasizing reason and rationality. Its cultural politics ignored multiple forms of gender experience, and the conflicts between academic and political. This paper re-evaluates the development of Chinese feminist criticism of post-1980s China. And it proposes the Chinese feminist criticism should first and foremost be based on local experience of Chinese women, and then explores gender problems for Chinese readers.
基金
Acknowledgements： This paper was sponsored by China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）, and by China National Social Science Foundation ＂Research on Mieke Bal and her Narrative Poetics＂ （14CWW002）.
