摘要
缘于社会日趋习尚奢侈且求新变,加之岁时民俗的发达、审美意趣的演进,明代中后期宫廷之中遂发展出新的装饰纹样,此即文献所载的"新样"。"新样"之名始见于万历时期,并延续到天启、崇祯两朝,影响且及于有清一代。本文通过爬梳文献,并考察出土和传世实物,对新样的具体纹样作了简单的探讨。
Along with the development of fashion, folk culture and esthetics, a new decorative patterns emerged from the middle and late Ming Dynasty which was Xinyang（new patterns）. It was started from the Wanli reign of the Ming Dynasty, and continued to the reign of Tianqi and Chongzhen, and even the Qing Dynasty. The article discussed Xinyang based on the research of literature, the unearthed cultural relics and remained real objects.
出处
《艺术设计研究》
CSSCI
2016年第3期30-41,共12页
Art & Design Research
关键词
明朝
万历
新样
定陵
the Ming Dynasty
the Wanli
Xinyang
Dingling Tomb
