摘要
本文通过总结以有效含义传播为基本导向的博物馆展陈组合方式,试图显示其中不同的视觉句法属性。本文最终总结出两大类组合方式:展示性组合方式与对比性组合方式,后者又包括直接对比性组合与间接对比性组合两种方式。在视觉句法层面上,展示性组合表现为基于特定维度的总体组合,对比性组合表现为基于特定维度的典型组合,直接对比性组合表现为直接的物理性并置,间接对比性组合表现为参观者特定视角中的心理性临近。本文认为,比较有效的博物馆总体展陈组合应当以展示性组合为纲,辅以对比性组合作为对关键细部的详尽凸显。在视觉句法层面上,这种博物馆总体展陈组合表现为谱系样式。博物馆展陈组合有不同的关注视角,本文仅是视觉句法视角中的一种尝试。
The paper tries to demonstrate the effective combination ways of museum exhibition oriented toward meaningful communication, to demonstrate different properties of visual syntax. Finally, there are two ways, that is, presentational combination and contrastive combination, and the latter includes direct contrastive combination and indirect contrastive combination. In the perspective of visual syntax, presentational combination shows general combination according to some specific dimension, contrastive combination employs typical combination according to some specific dimension, direct contrastive combination manifests direct physical juxtaposition, and indirect contrastive combination demonstrates indirect psychological proximity. To communicate effectively and perfectly, the overall combination way of museum exhibition should take the presentational combination as the general framework, with the contrastive combination as the specification of some important parts. As for visual syntax, the overall combination is genealogical. There are several different ways to consider the museum exhibition, so the paper provides only a tentative exploration.
出处
《艺术设计研究》
CSSCI
2016年第3期14-19,共6页
Art & Design Research
关键词
博物馆展陈组合方式
视觉句法
Combination Ways of Museum Exhibition
Visual Syntax
