摘要
21世纪以后,地方音乐文化以及音乐人物研究成为最引人注目的领域之一,人们对音乐人物及音乐家的研究方兴未艾。近10年来,湖湘音乐文化研究的观点与方法论更新已经十分明显,不论是音乐人物的个体构思,还是人物与事件的具体描述,都是新颖与鲜活的,音乐人物研究的方法论探讨已成为一种不可忽视的趋势。文章从方法论的角度,对近代湖湘音乐人物研究的方法与路径加以全面、深入的探讨,同时对近代湖湘音乐人物研究的方法论概念进行了评析,对湖湘音乐人物研究的意义与趋向展开了前瞻性讨论。
Since the 21st century, the study of local music culture and music character has become one of the most notable fields, people＇s study of music figures and musicians is more and more popular. In recent 10 years, research point of view and methodology update to Huxiang music culture was obvious, whether individual music characters or a complete description of characters and events are new and fresh, music character study methodology has become a noticeable trend. From the perspective of methodology, this article intends to take a comprehensive and in-depth approach into the study method and the path to modern Huxiang music character, meanwhile, to evaluate the methodological concepts of Huxiang music character study and make the forward-looking discussion on the meaning and trend of modern Huxiang music character study.
出处
《民族艺林》
2016年第3期5-11,共7页
Journal of Ethnic Art
基金
2012年度湖南省情与决策咨询研究课题湘学研究专项"湖湘艺术人物研究--湖南近代(1840-1949)音乐人物研究"阶段性成果
关键词
湖湘
近代
音乐人物
方法论
趋向
Huxiang
modern times
music
methodology
trend
