摘要
针对"全、荷、桃"805部不重复入围群舞作品中的1201次密集观念展开研究,可见编导们运用演员的身体进行密集,不但可以创造出"梯田式"的阵形来构成舞蹈美的形式、模拟描绘自然景物,还可以再现遇险之后的痛苦挣扎和重塑特定人物。
Based on the study of 1201 intensive concept in 805 distinct finalist dance in ＂The National Dance Competition＂＂Hehua Prize＂ and ＂Taoli Cup＂, it can be seen that directors use dancers＇ bodies to have an intensive formation which not only can create terracing formation to constitute beautiful form of dance and simulate to describe natural scenes but can make the agony reappear and remodel the certain persons.
出处
《新疆艺术学院学报》
2016年第3期28-34,共7页
Journal of Xinjiang Arts University
基金
2016年度浙江省哲学社会科学规划项目"‘全国舞蹈比赛’
‘荷花奖’
‘桃李杯’入围群舞作品创作观念研究"(16NDJC135YB)成果之一
关键词
入围群舞
密集阵形
创作智慧
模拟描绘
引领潮流
Finalist dance
Intensive formation
Creative wisdom
Modeling description
Lead to trend
