摘要
基于康德判断力理论的体育美学学者对古希腊竞技进行审美时,往往会困于它既不能与古希腊艺术及诗歌相契合,又充满了现代人厌恶的血腥暴力,形成"历史困境"。这是因为在康德的判断力理论中充满了"同时在场"预设,默认审美主体与对象,审美过程与结果均在同一个时空背景下而漠视了历史因素的作用。借鉴斯宾格勒对康德理论的批判,可重构历史背景下体育审美的逻辑过程,由此跨越古希腊竞技审美中的"历史困境",实现体育审美理论中的历史维度。
The sport aesthetics researchers who use Kantian theory when studying athletics in ancient Greece will always find the fact that the sport in ancient Greece is full of bloody violence, which disgusts the contemporary people on one hand, and does not match the ancient Greek art and poetry on the other hand, which leads to the ＂ historical dilemma ＂ thereafter. The reason is that the presupposition of ＂ concomitant presence＂ in Kant＇ s theory of judgment considers that the aesthetic subject and object, as well as the process and result can be in the same space-time context, neglecting the role of historical factors. By means of Spengler＇ s critic to Kant, we can reestablish the logical process of sport aesthetics in the historical context. In so doing we may break through the ＂ historical dilemma＂ in the athletic aesthetics in ancient Greece and realize the historical dimension in the theory of sport aesthetics.
出处
《上海体育学院学报》
CSSCI
北大核心
2016年第5期8-12,24,共6页
Journal of Shanghai University of Sport
基金
国家社会科学基金资助青年项目(12CTY001)
国家社会科学基金资助重大项目(10ZD&052)
上海高校"立德树人"人文社会科学重点研究基地-体育教育教学研究基地资助项目(11000-515100-140)
关键词
古希腊竞技
审美
历史困境
体育美学
athletic sport in ancient Greece
aesthetics
historicaldilemma
sport aesthetics
