摘要
"传体文"主要指文人别集中以传为题的作品,它起源于六朝,盛行于唐,而繁荣于宋。自宋代起,不少文章总集开始将传体文作为独立的文类。其中,《文苑英华》收录了南北朝以来三十四篇传体文,奠定了传体文在文章总集中的地位;《唐文粹》注意到传体文内部的题材分类以及传体文的文体特征;《宋文鉴》选取的北宋传体文更富有经典意义,凸显了北宋传体文的思想文化内涵;《文章正宗》和《续文章正宗》则通过系统的文类构建,使传体文与行状、碑志等文体的异同更加明晰。传体文在宋代文章总集中成为固定的一类,意味着自唐代以来的传体文发展得到文章家的认可,传体文的文体地位由此得以确立。
＂Zhuan Ti Wen＂is the biography in individual works. It was originated from the Six dynasties and prevailed in Tang Song dynasties. A lot of Corpus of Song Dynasty took Zhuan Ti Wen as an independent style. For example,there were thirty-four works of Zhuan Ti Wen in Wen Yuan Ying Hua which established Zhuan Ti Wen＇s important position; the author of Tang Wen Cui noticed the subject classification and functional characteristics of Zhuan Ti Wen; Song Wen Jian chose those classic Zhuan Ti Wen showing the ideology and culture in Northern Song dynasty. Wen Zhang Zheng Zong made a clear distinction among resume,epigraph and Zhuan Ti Wen. Zhuan Ti Wen was accepted by writers in Tang Song dynasties,jumping from the field of history to the field of literature.
作者
孙文起
SUN Wen-qi(School of Liberal Arts,Nanjing University,Nanjing 210046, China)
出处
《北京社会科学》
CSSCI
北大核心
2016年第10期15-22,共8页
Social Sciences of Beijing
关键词
宋代
文章总集
传体文
文体
Song dynasty
corpus
Zhuan Ti Wen
style
