摘要
赋是一种特殊的文体,以"一代之文学"的汉大赋为代表,树立起异乎他体的形象与风貌。随着历史的变迁,赋的变体也多,有诗体赋、骚体赋、散体赋、骈体赋、律体赋、文体赋、股体赋等,直到20世纪郭绍虞还提出当代"语体赋"的构想。而论其大势,赋创作又经历了"做什么"、"是什么"、"怎么写"的认识变迁,并由此伴随其经典化过程。现代赋学因历史化、学科化与理论化而得到长足的发展,但也带来诸多弊病,值得省思。
As a specific literary form,Fu namely the Ode style featuring with Da Fu of ＂a generation of literature＂ in Han Dynasty,establishes its own images and styles different from others＇. With the development of history, Fu evolves into many varieties like Poetic Fu, Sao-styte Fu, Prosaic Fu, Pareller-style Fu, Metrical-style Fu, Stylistic Fu, Eight-leg-essay Fu and etc. Guo Shaoyu, a Chinese litterateur, still put forward the contemporary conception： Stylistic Fu until the 20^th century. When it refers to its tendency,the creation of Fu based on its cognition also transits from ＂what to do＂,＂what it is＂ to ＂ how to write＂, meanwhile, it tends to be canonization. Contemporary Fu＇s studies have undergone long-term development thanks to historization and disciplinization and theorization, however, it gives rise to quite a few defects worthwhile to be introspected as well.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2016年第5期7-10,共4页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
国家社科基金项目(09BZW073)
关键词
赋体
做什么
是什么
怎么写
古今演变
Fu Style
What to Do
What It Is
How to Write
Ancient-contemporary Evolution
