摘要
由于文化地理学之盛,学界一般都从都市空间的角度分析林燿德的作品,常常忽略他的历史观与时间感,造成全面解读林燿德丰富创作的艰难,本文对林燿德重视历史与时间的研究或可打破这个局面。虽然很多学者都讨论到林燿德对中国现代散文作家田园式散文书写的批评与扬弃,但关于林燿德散文创作的艺术特质、渊源及历史定位,却未展开深入的探讨。本文第三部分对林燿德散文取消散文感性知性二分法并将之当成是"思考的一种工具、一种方式"的讨论,或能让人对中国散文艺术史的研究展开更多元的探索。
It is difficult to have a comprehensive interpretation of Lin Yaode＇works due to scholars usually analyzed his works from the perspective of urban space and neglected his conception of history and time.Though some scholars have discussed Lin Yaode＇s criticism for the pastoral style of Chinese modern prose writer, there is no deep exploration of the artistic characteristics, origin and historical position of his prose. The discussion in the third part of this article which takes Lin Yaode＇s prose as＂a thinking tool or mode＂instead of considering its sensibility and intellectuality will expand the exploration of Chinese prose history.
出处
《吉林师范大学学报（人文社会科学版）》
2016年第5期35-41,77,共8页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
福建省首批"哲学社会科学领军人才"基金项目
