摘要
广义叙述学是赵毅衡教授借鉴西方符号学原理,探讨所有叙述体裁共同规律所构建的"广义符号叙述学"。深入其研究范式背后的跨学科原理,可发现作为其核心内容之一的"三层次论"存在诸多遗留问题,且这些问题反映出广义叙述学研究范式与中国本土叙述传统间尚有隔隙。而故事形态学所遵循的形态论范式源于西方生物学,遵循人文科学相关跨学科原理,现已被广泛借用到美学、艺术学及文学研究中。同时,以形态学为基点的故事三层次论,可对广义叙述三层次论的遗留问题做出回应,且更适用于还原中国本土叙述经验,为彰显中国故事的本土意蕴提供了更多学理可能。
Broad Sense Narratology,or ＂Broad Sense Semiotic Narratology＂is constructed by professor Zhao Yiheng,who has made reference to the principles of Western semiotics,and explored the common rules shared by all narrative styles. An in-depth study into the interdisciplinary principles behind the research paradigm discovers that the ＂Three Levels Theory ＂as one of the core contents is still plagued with problems unsolved,which reflect the disparity between broad sense narrative research paradigm and Chinese local narrative tradition. The morphological paradigm abiding by story morphology originates from western biology,adheres to relevant interdisciplinary principles in humanities,and has been widely applied to aesthetics,arts and literary studies. Meanwhile,the theory of three levels of story based on morphology can respond to the problems unsolved by three levels theory of broad sense narratology,and is in a better position to restore Chinese indigenous narrative experience,thus offering more theoretical possibilities in manifesting the indigenous implications of Chinese stories.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2016年第5期83-94,共12页
Journal of Shanghai University(Social Sciences Edition)
基金
教育部哲学社会科学研究重大课题攻关项目(15JZD039)
关键词
广义叙述学
故事
形态学
中国经验
Broad Sense Narratology
story
morphology
Chinese experience
