摘要
在路易斯·康的建筑中,理性与非理性同时得到表达,矛盾性是讨论康的关键词之一^([1])。涉及到建筑节点处理,康在追求形式与光的过程中,伴随着对真实建构表达的苛求,但也存在着装饰等反建构做法。通过将康的作品进行分类解读,对其节点细部语言进行系统的梳理:康的节点秩序总结为区分、隐匿与对位,且可纳入其古典主义和结构理性主义的语言之下;古典主义催生出区分、消隐和对位等节点形式表达,区分亦同时传达出康对结构理性的苛求,古典追求与建构秩序共同作用,形成了康的建筑节点语言。
Contradiction plays an important role in Louis Kahn＇s works in which rationality and irrationality are equally displayed.In the process of pursuing forms and light,Kahn insists on real appearance of construction and opposes decorations when he deals with architectural details.This paper expects to get a general and systematical idea of the nodes by analyzing and classifying Kahn＇s works,we can summarize Kahn＇s style of detail design in distinction,concealment and contraposition,which can be included in his design philosophy of classicism and structure rationalism.For the classicism bringing out the distinction,concealment and contraposition,and meanwhile distinction is the significant part of Kahn＇s rationality in architectural structure.It is the mutual function of tectonic order and classic pursuit that makes up the expression of Kahn＇s nodes order.
出处
《西部人居环境学刊》
2016年第4期58-62,共5页
Journal of Human Settlements in West China
基金
国家自然科学基金青年科学基金项目(51508044)
