摘要
《梅葛》《查姆》与《圣经·创世纪》虽是隶属不同国家、不同民族的史诗,但都反映了远古人类在同恶劣自然环境斗争中形成的"集体无意识",是人类祖先社会早期生活的遗迹再现,也被称为"原始意象"或"原型"。借助原型批评理论,对比研究《圣经·创世纪》与彝族史诗《梅葛》《查姆》创世的异同,解读希伯来先民和彝族先民的"集体无意识"。同时,从文化差异的角度阐释二者的差异性。
Although Meige, Chamu and The Bible · Genesis belong to epics of different countries and different nations, they all reflect the ＂collective unconsciousness＂ of the ancient people who fight against the harsh natural environment. The ＂collective unconsciousness＂, also known as the ＂archetype＂ or ＂prototype＂, is the reproduction of the relics of an early human ancestors＇ social life. With the help of archetypal criticism, the paper makes a comparative study on the similarities and the differences on The Bible · Genesis and Yi epic Meige, Chamu in terms of creation of the world, discusses the ＂collective unconsciousness＂ of the Hebrew ancestors and Yi ancestors and at the same time explains the differences between the two from the perspective of cultural differences.
出处
《文山学院学报》
2016年第4期62-66,共5页
Journal of Wenshan University
基金
云南省哲学社会科学青年项目"<圣经.创世纪>与<梅葛>
<查姆>对比研究"(QN2014061)
