摘要
魏德圣电影对于日据时期台湾历史事件的表现一直受到学界的关注和争议。在《赛德克·巴莱》中爆发式的抵抗并没有成为魏德圣设定固定的价值判断的理由,出人意表的是,魏德圣在许多场景中都意图建立一种价值中立,而"零度叙事"则是他选择的最主要手段。通过解读,魏德圣对于殖民史的表现手段与思路将得到重构,他个人的创作姿态也将得到更好的阐释。
This essay focuses on the complicated attitude of Wei Desheng towards Japanese colonialism, with his movie Warriors of the Rainbow as the research obpponent. Wei Desheng uses narration degree ze ro as the basic narration strategies to elaborate the resistance posture, as part of Taiwan spirit. In Warri ors of the Rainbow, it shows its radical dimension.
出处
《常州大学学报（社会科学版）》
2016年第4期79-84,共6页
Journal of Changzhou University:Social Science Edition
