摘要
小资产阶级情调在中国现当代文学之中的遭遇,在小说《青春之歌》的评论中得到了典型的体现,尽管在20世纪四五十年代曾遭受严厉批判,但小资产阶级情调仍然能量较大,时常伺机而出。本文论述了小资产阶级与中产阶级的异同,并指出了两种谱系的分析分别意味了什么。在1990年代之后,"小资"更多地在中产阶级的意义上"复活"。工农大众没有产生自己的美学,因而往往不知不觉地步入小资产阶级的文化轨道——《隐身衣》和《钢的琴》进一步论证了这一观点。
The taste of petty bourgeoisie is fully reflected in the comments on the fiction of Song of Youth.This taste was criticized in the 1940s- 1950 s,but it often appears much. This paper discusses the difference between petty bourgeoisie and middle bourgeoisie and points out what they mean respectively. After the 1990 s,the taste of petty bourgeoisie can be felt in the sense of middle bourgeoisie. Workers,peasants and common people don＇t have their own aesthetics,so they follow the cultural taste of petty bourgeoisie without feeling it,which is proved in the fictions of Invisibility Cloak and Piano of Steel.
出处
《河北学刊》
CSSCI
北大核心
2016年第5期76-83,共8页
Hebei Academic Journal
关键词
小资产阶级情调
中产阶级
工农大众美学
taste of petty bourgeoisie
middle bourgeoisie
aesthetics of workers
peasants and common people
