摘要
在耶鲁解构批评家眼中,文学并无本质,文学这一文类也不是实在之物或自在之物。然而,解构批评家从未声称文学不存在,他们绝非主张一种虚无主义的文学观。解构批评要么将文学看作是关于虚无,而非本身虚无;要么视一部文学作品为一个虚构的世界,这个虚构世界之所以能够让读者甘愿相信、沉浸其中,乃是由于文学述行的力量;又或者,将文学虚构视作孤独可以提供的最大乐趣,它令读者经历一种非此绝无可能的情境与经验,从而遇到自我的"他性"。
From the deconstructive viewpoint,literature has no essence.The genre of literature is not a solid matter or thing-in-itself.Nevertheless,deconstructive critics never disclaim the existence of literature.Nihilism cannot be used to describe their views of literature.They view literature as being about nothingness rather than being nothingness itself,or take a literary work as a fictive world that lures the reader into addiction by the power of a literary performative,or regard literary fabrication as the greatest fun that loneliness can bring to life.In such ways,the reader can meet novelty and finally meet his / her 'otherness'.
出处
《国外文学》
CSSCI
北大核心
2016年第3期10-16,156,共7页
Foreign Literatures
