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现代中国的唐吉诃德式寓言——从符号学视角解读电影《钢的琴》

The Don Quixote Fable of Modern China: Interpretation of the Movie The Pianoina Factory from the Perspective of Semiotics
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摘要 电影拥有自身独特的符号表意系统,影像符号比传统的文字符号更加的庞杂,更加的多义化,表达的含义也往往蕴藏的更深。2011年的电影《钢的琴》被誉为近些年中国电影少有的佳作。这部具有鲜明影像风格的影片,将镜头对准被甩到社会边缘的普通下岗工人的生活,运用浪漫主义的表现手法,讲述了一个小人物与无法妥协的发展潮流对抗的唐吉坷德式悲壮故事。试图运用电影符号学理论,从叙事结构和影像语言设计两个层面入手,对影片所蕴含的个人抗争、阶级平反等深层含义进行挖掘与展现,并通过这一系列的分析来展现这部优秀作品的真正艺术价值所在。 Movies have their own unique symbolism,and symbol images are more complex than the traditional text symbols. They also have more and deeper meanings. In recent years,very few Chinese movies have good works.However,the movie The Pianoina Factoryproduced in 2011 was an exception. The movie has a distinctive image style,it focuses on the life of laid- off workers who hurled onto edge of society,using the methods of expression in Romanticism,describing a story about a little fight with the times which was tragic like Don Quixote. This article tries to use the Semiotic Theoretical of movies,from the two aspects of the narrative structure and the image language,explains and excavates the personal struggle,class vindicated and any other deeper meanings,and through these analyzes,shows the true art value of this excellent movie.
作者 王润姿
机构地区 山东管理学院
出处 《山东商业职业技术学院学报》 2016年第4期100-104,共5页 Journal of Shandong Institute of Commerce and Technology
关键词 叙事矩阵 影像符号 隐喻 宿命反抗 narrative matrix image symbol metaphor fate resist
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