摘要
以清末著名新闻画报《点石斋画报》为例,对传统画家跨界创作新闻画的动因和方法上探讨,新闻画报过渡性质的形式介质转型与审美特征、工具功能转型与叙事方法,反映出新闻画家与新闻事件关系,揭示了艺术家个人审美创作意识与创造活动原真性的对话。纵观清末新闻画家在新闻创作中在表达个性绘画语言强调内容与形式的统一所做的努力,发现媒介融合中出现的"跨界"现象的共同特点。
This paper takes the well known news pictorial in the late Qing Dynasty Dianshizhai Pictorial as a case in point, it studies the motivation and methods of creating news pictorials by traditional painters, the form of media transformation, aesthetic characteristics, transformation of tool function, and narrative method which reflects the relationship between news paintersand the news event, reveals the dialogue between painters＇personal aesthetic creation consciousness and creation of authenticity. By making a survey to the efforts made by the news painters in late Qing Dynasty in unifying personalized painting language and form. It finds out that crossing boundaries is one universal characteristic in the convergence of media.
出处
《攀枝花学院学报》
2016年第4期50-53,共4页
Journal of Panzhihua University
基金
安徽工程大学优秀青年人才基金项目"‘工’与‘美’<点石斋画报>艺术特色研究(S031403002)"研究成果
2016年度安徽高校人文社会科学研究项目"徽雕故事在数字混媒语境下的设计与应用研究(SK2016A0112)"研究成果
关键词
新闻
新闻画家
新闻画报
叙事
news
news painter
news pictorial
narrative
cross - boundary
