摘要
较之于视觉文化研究在国内外学界的兴盛，视觉体制概念始终处于含糊的状况之中。虽然有马丁·杰率先创造并使用了该术语，但国内外学界几乎少有对此概念的阐述。学者或只是在文章中模糊且多义地使用该术语，或只是将之简化为诸如艺术院校、博物馆等视觉文化机构等问题。这两种做法都难以综合地看待视觉体制、视觉主体和形象之间持续互动的关系。本论文基于当代中国视觉文化的发展脉络，参考马丁·杰对此术语的运用方式，尝试在上述三者互动的关系框架讨论该概念的意义。
Compared the prosperity of the Visual the academic circles, there are ＂visual institutions＂ that created such a few attention paid Culture Studies in to the concept of and speared by Martin Jay but the meaning has been vague for a long time. Scholars just used the term as ambiguous and veiled in their articles, or used it to designate certain institutions such as art colleges or museums. Both approaches are difficult to employed to the mutual relationship between the visual institutions images in a comprehensive way. Based on , the visual subjectivity and the the development of contemporary Chinese visual culture, also referencing to the using way of this term by Martin Jay, the paper explores the significance of the concept within the above three interactive relationship.
出处
《文化研究》
CSSCI
2016年第2期109-123,共15页
Cultural Studies
基金
教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(12JZD019)成果
关键词
视觉体制
形象
视觉主体
scopic regime or visual institutions image visual subjectivity
