摘要
宋诗变革唐诗,借"以不工为工"确立了自己的面目。通过"不工"或"拙"而营造出一种浑成质朴的美和滂沛的野性,是宋诗最初的艺术追求。但"不工"或"拙"一旦赢得正统地位,寖假而成为俗套,依然不脱人为雕琢的弊病。正是这一原因,促成了宋代诗学工、拙之间的转换与悖谬,并最终以"自然"为最高标准。"以不工为工"—"诗贵工拙相半"—"无心于工拙之间(自然)"三个批评范式和审美范畴的转变,促成了整个宋代诗学迂回而辩证的发展。
It is ＂artificial clumsy work＂ that makes Song poetry different from Tang poetry. The Song poets were all fond of ＂clumsy work＂ which they thought was wild and plain .As a result, ＂clumsy work＂ became the mainstream of Song aesthetic. Then, as we know, the ＂clumsy work＂ and the ＂skillfull work＂ were converted into each other and, of course, quite confusing, which made ＂the natural＂ ultimate aesthetic standards. That＇s how the criticism paradigm and aesthetic standards of Song poetry to be changed and evoluted.
出处
《中国文学研究》
CSSCI
北大核心
2016年第3期82-85,共4页
Research of Chinese Literature
关键词
工
拙
自然
宋诗
skillfull
clumsy
the Natural
Song poetry
