摘要
本文立足思想观念考辨分析20世纪欧美语文学文学批评的代表人物艾瑞克·奥尔巴赫的历史形象诗学观。重点分析:历史形象诗学观及方法论基础;《论摹仿》对欧洲文学史的宏大叙事重构;奥尔巴赫与韦勒克、斯皮策之比较。奥尔巴赫的历史形象诗学观打通文学文本阐释、文学史建构、诗学阐发与文化史反思;方法论上有机融合维科的历史透视论与基督教释经学中保罗诠释派的形象论;诗学上颠覆了柏拉图和亚里士多德奠定的古典诗学摹仿论和风格论;文化史上从欧洲文学现实观的裂变中发现欧洲文化精神中不绝如缕的民主精神。
This article analyzes the representative scholar of 20th century Euro-A- merican philological literary criticism Erich Auerbach＇s historical figural poetics from the perspective of comparative study of re-conceptualization. It mainly focuses on histor- ical figural poetics and its methodological basis, the macro-narrative reconstruction of European literary history in On Mimesis, and comparison of Erich Auerbach with Ren6 Wellek and Leo Spitzer. Auerbach＇s historical figural poetics fuses textual interpretation, literary historicization, poetical expounding and reflection on cultural history together, methodologically harmonizes Giambattista Vico＇s historical perspectiv- ism and Paulian figural interpretation in Christian biblical exegesis, poetically subverts Platonic and Aristotlian poetics of mimesis and style, and enters democratic spirit in the undulating European cultural spirit symptomatic in the alteration of the concept of reality in European literature.
出处
《外国文学》
CSSCI
北大核心
2016年第4期100-108,共9页
Foreign Literature
基金
国家社科基金一般项目(11BWW0009)
关键词
奥尔巴赫
历史形象诗学
古典诗学
Erich Auerbach, Historical Figural Poetics, Classical Poetics
