摘要
在"大漠三部曲"中,雪漠大量运用西北民歌"花儿",将其融合于人物情感与日常生活的常态中,更为饱满和形象地描摹了人物内心世界,建构了形形色色的情感世界。而西北民歌"花儿"与文学的联姻也因此丰富了文本创作样式,获得了生命维度和精神深度的升华与超越。
Xue Mog novels show strong regional color and cultural depth. In the perspective of traditional culture, the author uses a lot of northwest folk songs ＂Huaer＂（＂花儿＂） during his literary creation, and fuses them with the character g emotion and the normal life, depicts fully and vividly the inner world of characters, so builds kinds of emotional worlds. The marriage of northwest ＂Huaer＂ （ ＂花儿＂ ） and literature has enriched the literary creation style of text, and has met The sublimation and Transcendence of life dimension and spiritual depth.
出处
《郑州航空工业管理学院学报（社会科学版）》
2016年第4期25-28,共4页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
基金
2014年甘肃省社科规划项目"多元视角下的新世纪甘肃小说创作研究"(14YB065)阶段性成果
关键词
雪漠
“花儿”
文化
情感
Xue Mo
＂Huaer＂ （ ＂花儿＂ ）
culture
emotion
