摘要
在11326平方公里的都柳江流域,蕴藏着丰厚的少数民族传统文化。其中,铜鼓和芦笙等古乐遗风,既是山地文明的象征,更是苗、布依、仫佬、毛南、水、侗、瑶、壮等少数民族的集体智慧和精神家园,它们构成了特色鲜明的都柳江文化走廊。探讨少数民族传统音乐,考察与之共荣的文化生态,分析其衍变和发展的规律,为进一步研究铺垫基础。
In the 11,326 square kilometers of the Duliujiang River Basin,there are rich cultural traditions of the minority nationalities. Among them,the music of the copper drum tonggu and mouth organ lusheng(khaen),among others,are remnants of ancient traditions. They are symbols of mountain civilization,representative of the collective wisdom and spirital homeland of minority nationalities such as the Hmong(Miao),the Buyi,the Mulao,and a few others. Altogether they characterize the Duliujiang Cultural Corridor. This article examines traditional musical cultures of the minority nationalities against the context of its cultural ecology. It will also analyze its transformation and development,in order to set the stage for future research.
出处
《贵州民族研究》
CSSCI
北大核心
2016年第6期77-81,共5页
Guizhou Ethnic Studies
基金
教育部项目"南侗民乐收集
研究及数据库建设"(批准号:11YJA76008)
国家社会科学基金项目"侗族音乐文化生态及现代意义研究"(批准号:12BMZ027)
国家社会科学基金项目"北盘江流域大花苗古歌的搜集
整理与研究"(批准号15XMZ034)阶段性成果之一
关键词
都柳江文化走廊
少数民族传统音乐
音乐文化生态
Duliujiang Cultural Corridor
traditional music of minority nationalities
musico-cultural ecology