摘要
话剧作为舶来艺术自登上中国舞台之初,便由于政治时事的需求带有强烈的家国情怀。原创话剧作为中国话剧的根基力量,对观众的导向性是不可忽视的。近年来,由于话剧市场的淡薄,越来越多的原创话剧开始走市场路线,忽略了话剧的导向功能,将从主题性原创话剧出发,探析原创话剧在家国情怀上的回归对观众的影响。
The first appearance of drama as an exotic art on Chinese stage took a strong sense of national identity because of political needs.Original drama,being the foundation of Chinese modern drama,had an audience guidance not to be ignored.In recent years,due to the weak drama market,more and more original dramas began to step into the market,ignoring the guiding function.This paper explores the influence of the return of original drama＇ s country protecting theme on audience.
出处
《吉林艺术学院学报》
2016年第3期54-57,68,共5页
Journal of Jilin University of Arts
关键词
主题性
原创话剧
家国情怀
topicality
original drama
protecting the country
