摘要
鲁迅最初尝试古代和现代题材结合的创作方法失败,自认为是失败于油滑,从此对油滑保持着警惕。写完《朝花夕拾》之后,他对民间世界有了新的认识,他发现民众并不只是愚昧地膜拜鬼神,还对鬼神进行嘲弄,以满足自己的娱乐需求,这种油滑的态度使他对油滑的含义有了新的理解。他重新拾起古代和现代题材融合的想法,有意识地增加小说中的油滑成分,推动小说文体的探索,最终形成《起死》的独创文体。总体来看,《故事新编》的文体蕴含着鲁迅的一个文化观念,即神的时代远去,人的时代的来临。
Lu Xun＇s first attempt to write novels with ancient and modern materials ends up in vain.Lu Xun thinks sophistication leads to his failure,so he remains vigilant to sophistication later on.After completion of Collecting Morning Flowers at Dusk,Lu Xun gets a new sense of the folk world.He finds that people not only foolishly worship ghosts and gods,but also make fun of ghosts and gods for entertainment,which leads to his new understanding of sophistication.He picks up ancient and modern materials again,and consciously adds sophistication content for a new style,which is found in The Resurrection.Overall,a cultural concept is found in the style of Stories Newly Organized,which stresses that the god＇s time is going,and the people＇s time is coming.
出处
《河北工业大学学报（社会科学版）》
2016年第2期40-43,共4页
Journal of Hebei University of Technology：Social Sciences Edition
基金
安徽省教育厅高校人文社会科学研究项目(编号:SK2015B11)
关键词
《朝花夕拾》
《故事新编》
文体
鲁迅
民间世界
油滑
Collecting Morning Flowers at Dusk
Stories Newly organized
style
Lu Xun
the folk world
sophistication
