摘要
在审美与消费方式现代化的语境下,经济发展滞后的少数民族群体文化事实上濒临被边缘化困境。云南多民族刺绣的发展对提升云南民族文化形象、彰显云南文化产业特色、保护传统文化、增强农村经济发展活力将起到积极的作用,但由于生产规模小、市场实用性差、市场营销力度不够、创新意识不足等问题而使其发展不畅。当经济利益渴求超越对本民族传统文化保护重要性的认识时,具有丰富文化内涵的刺绣也难以传承,并逐渐淡出传统生活领域。云南多民族刺绣要在现代社会中存续并发展,取决于本民族的一种具有理性与适应性的自衍选择。面对困境,需要通过培养从业者的创新衍化能力,以使之转型成为既继承传统文化精髓又符合时代发展的新兴产业。
In the context of the modernization of aesthetics and consumption, the culture of economically underdeveloped ethnic minority groups is on the edge of marginalization. The development of embroidery of multi- ethnic groups in Yunnan is beneficial to the promotion of the image of Yunnan ethnic culture, the demonstration of the features of ~/unnan cultural industry, the protection the traditional culture, and the enhancement of the vitality of rural economic development. However, due to the small scale of production, poor market practicality, insufficient marketing, and the lacking of innovation, the embroidery is not developing well. When the economic interest is considered more important than the importance of traditional culture protection, the embroidery with profound cultural connotation is abandoned and it gradually fades out of the traditional life. The ability for Yunnan multi -national embroidery to survive and develop in modern society depends on the rational and adaptive self - choice within the ethnic group. In the face of difficulties, it is necessary to cultivate the creativity of the practitioners in order to transfer the handicraft into a new industry that, on one hand, inherits the traditional culture, and on the other hand, matches the new situation.
出处
《民族艺术研究》
CSSCI
2016年第3期219-226,共8页
Ethnic Art Studies
关键词
产业化
云南
多民族
刺绣
industrialization, Yunnan, multi - ethnic groups, embroidery
