摘要
创作方法概念不该遗弃,而应重新认识其内涵和层次。本文认为,创作方法包括三个基本要素,即创作目的、创作对象和创作原则。具体创作对象的差异以及三要素的不同组合方式使得创作方法具有无限丰富的形态。风格的多样反映了创作方法的多样。以这种新的创作方法概念,可以对许多纠缠不清的问题,如创作方法与世界观、文艺思潮及风格流派的关系问题等,作出新的解释。
The concept of creation method is not to be deserted and its connotation as well as strata is to be realized again. The present paper holds that creation method consists of three basic elements, namely: creation aim, creation object and creation principles. The gap in specific creation and different compositions endow creation method with boundless forms. The diversity of styles reflects the diversity of creation method. One can make new explanation to many entangled problems, including those of creation method and world outlook and relation between literature and art trend and style.
出处
《新疆大学学报（社会科学版）》
CSSCI
北大核心
2002年第3期98-102,共5页
Journal of Xinjiang University(Social Science Edition)
