摘要
刘勰的文学理论是以"宗经"为前提展开的,以往学者多从儒学视角来探讨刘氏的文论体系,该文则借助龚鹏程先生对道教本质的发现,从道教的角度来阐释刘勰的宗经思想及其文学理论的展开,认为刘氏的文学观念与其道教世家的背景有着密不可分的关系,刘氏有意识将儒家五经"道教化",由此展开儒家经典崇拜、文学导源于五经、文学教化等诸多文学观念。
Liu Xie spread his literature theory with the study of 'classic'. Other than the previous scholars who discussed Liu Xie's theory in the perspective of Confucianism, this article tries to probe his thoughts of classic in the perspective of Taoism by means of Gong Pengcheng's discovery on the essence of Taoism. It believes that there is an inseparable relationship between his literary ideas and his Taoist family background. Liu Xie consciously gave the Five Classics of Confucianism the characteristics of Taoism, and thus put forward many literary notions of the worship on Confucian classics, the root of literature from the Five Classics and the enlightenment of literature.
出处
《衡水学院学报》
2016年第3期51-57,共7页
Journal of Hengshui University
关键词
《文心雕龙》
宗经
道教
龚鹏程
《文化符号学》
wenxindiaolong(The Literary Mind and the Carving of Dragons)
classic
Taoism
Gong Pengcheng
Cultural Semiotics
