摘要
徽州木雕,是以古徽州为中心,积淀本土民族内涵,融汇中原等外来精华,从母体中诞生的一种独特的地域文化,体现并承载了民族文化的主要特色,极富装饰性、民族性与人文性,是明清雕刻艺术的核心、精髓。徽州木雕,无论从形式还是内容,都已经打上了社会盛衰、宗法儒教、民族文化和"图形遗产"等烙印,因此,研究木雕,对特色艺术与多元文化生态的丰富保护,对探究民族信仰、人文精神、文化传承和审美趋向等内容,有较大的借鉴和参考价值。
Huizhou woodcarving was a unique regional culture mainly in ancient Huizhou area combining local national connotation and essence from outside areas such as the Central Plains of China.It embodies and carries the main features of local national culture,including ornamental,national and humanistic features,thus it was the core and essence of carving arts in Ming and Qing Dynasties.As a ＂graphic heritage＂,it was greatly influenced by the social conditions,patriarch system,Confucianism and national culture at that time,both in form and in content.Therefore,studying Huizhou woodcarving has great values in provide reference to the protection of feature arts and diversified cultures,as well as to the exploration on national belief,humanistic spirit,cultural heritage,aesthetic tendency,etc.
基金
安徽省高校人文社科重点项目(SK2015A748)
关键词
徽州木雕
人文精神
审美趋向
Huizhou woodcarving
humanistic spirit
aesthetic tendency
