摘要
宋词中的无名氏是一种值得从整体上加以研讨的现象。在宋代无名氏词中,有多达200余首与通代尤其是宋代有名氏词互见,说明从宋代开始,就已经有不少人认为这些词的作者并非无名氏;它们自宋代以来的传播与接受,总体而言,并未因其作者身份佚失而如同想象中的那般寂寞。互见对象中频繁出现两宋名家词人,又间接表明,宋代无名氏词的整体水准同样不似传说中的那样不堪。当传名意识久已深入人心,无名氏作品自然也会因为由此激发出的创作上的个性追求,从而留下一些优秀的篇章。同时,数量居于整个中国古代词史首位的宋代无名氏词,还可以成为考量宋词之所以成其为"一代之文学"的一个要素。而充分体认词的音乐文学特性,应该更为有助于理解,在深入骨髓的传名意识笼罩下,宋词何以仍然大量出现佚名的情况。
The anonymous in the Song ci poems was a phenomenon that merits comprehensive discussion. Of all the Song ci poems,over 200 are cross-referential to pomes of named poets of all dynasties,especially the Song Dynasty,which is evidence that since the Song Dynasty many people have believed these poems to be written not by the anonymous.Their reception since the Song has not been much affected by the absence of authorial identity.The frequency of cross reference is an indirect proof that the overall quality of the anonymous poems is not as poor as they were believed to be. With the awareness of literary immortality,the anonymous poets were also inspired by it and hence leaving the posterity with some good poems. At the same time,the anonymous Song ci,whose number tops the anonymous poems in all dynasties,can also serve to examine the unique literary elements of Song ci as a dynastic literature. In addition,a full understanding of the musicality of Song ci is helpful to understand the appearance of anonymous poems in large numbers under the predominant belief in literary immortality.
出处
《中国文化研究》
北大核心
2016年第2期47-55,共9页
Chinese Culture Research
关键词
宋词
无名氏
互见
传名意识
音乐文学
Song ci poetry
the Anonymous
cross reference
immortality of literary fame
Music literature
